Can you feel it lacey

JH: How do each of those business feed or financially support each other? KL: Basically, there is no team. I do have a couple of people that are supportive friends that I will bring in and hire for content, as far as directors, videographers, photographers, friends that will come in for certain events. I separate myself so I can wear different hats, as if I was a manager of these clients. Then I have Fruta Mami, a vegan ice cream, natural cosmetics and hand-cut fruit business.

Fruta Mami is the most successful as of right now, and it literally just started in October of last year. What do they want? What do they respond to? KL: I was just getting a little bored. I trademarked it. I shot a commercial randomly. I got all the content, made sure we got it edited. So I literally made crazy sales. Now every Friday, I do food. I did Santa Monica in California. With the aesthetic you chose, you were pretty early to the party of what people have come to think of as the Yeehaw Agenda.

In interviews, you described trying to make space in club settings for self-expression and consent. How did you bring those elements together? KL: I was working so hard to promote something that I knew had the ability to take off.

I really appreciate the support of Red Bull that I have, but it was it was very difficult to just make sure everybody was paid. I got security. I got assistants. I got photographers, videographers. I was really passionate about creating that space, even for myself. It just seemed like there was no space for me to have a good time or just be myself. I like all kinds of music. I was ahead of the curve for the Yeehaw Agenda, but it was not about credit for me.

I wanted to create a space where I can enjoy everything and I can control the vibe of it. How great do you feel like the contrast is between the early phases of you performing and recording in Nashville, during high school and into college, and what you are doing now?

KL: I feel like Kiya with the pink hair, balloon Kiya is so proud of me now. I dealt with a lot alone, with my own mental health as an artist, as an independent artist, not feeling like I was doing enough and constantly trying to keep up.

I think of it about my experiences. I know I have so much room to grow, but I do think the girl that you interviewed years ago when I first got to Atlanta is very much different place, mentally, spiritually and artistically. How did you find that sound? KL: Honestly, Tumblr literally made me. I was utilizing that to kind of create my own world and kind of learn about other places and other things.

I was in high school and I was just trying to see what was really out there, because Nashville is not like Atlanta or Toronto or L. I found so many people that started opening my mind to what the possibilities were with my own music and my own sound. I just appreciate sounds that make me feel something.

I gravitate towards anything that creates an experience. I want to make you feel something. JH: The way that you use your voice on this EP, you drift in and out of vocal phrases that are like incantations, or you bring a fragment of a melody into the foreground for a moment and then let it disintegrate and drift away. What does your writing, arranging and recording and process look like these days? KL: One of my favorite vocal arrangers is James Blake.

I really like his approach, Frank Ocean as well. For me, a lot of times I just listen to the track. I used to sit down and try to figure out the perfect hook and the perfect melody, phrasing and all that stuff.

And now I just gravitate towards certain tones and elements. I know what the sound is that I feel inside, and then I get in the [vocal] booth and I just literally like record whatever comes to me first.

Then I go back in and sometimes I say real words and then I grow from those words and change them around and make it a full song. It depends on the record. I do enjoy writing for songs that are done the perfect songwriting way, the standard way. I went to Belmont, you know? I dropped out after two years, but I just never understood why things have to be so perfect and things have to go a certain way, because life is not like that.

This profile is not public. Edit Profile View as Public Logout. Lacey Caroline. Country Pop Pop rock Acoustic. She left the band in December in order to pursue a college degree and a solo career.

Her debut EP "Songbird" was released in October, Lacey Caroline ». Nick Santino. Brent Walsh. Taylor Acorn. The Endless Summer. David Lehr. Mat Musto. Striking Matches. Rival Summers. Holiday Parade. Plug in Stereo. Stephen Jerzak. I Nine. Reece Mastin. Jule Vera. Matt Webb. Ruthie Collins. Edens Edge. See You Soon. Wind In Sails. Letters And Lights. The Best Week Ever. Chris Wallace. Songbird Lacey Caroline. One of the Guys Lacey Caroline. Ain't That Girl Lacey Caroline. Every Little Thing Lacey Caroline.

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