When was both sides now released

This composition was licensed with the help of SecondHandSongs on April 30, for a paperback and an ebook. A print license was granted for reproducing lyrics use in worldwide. Added by Bastien. First release by Judy Collins December Both Sides Now written by Joni Mitchell instrumental.

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KC and The Sunshine Band. Bruce Dewar. Valerie Quesada. Dean Dyson. That Mitchell approved the Nietzsche quotation for inclusion in the liner notes suggested she didn't disagree with this high-minded judgement of her interpretative abilities. But then Mitchell had never regarded false modesty about her art as a virtue. Two years earlier, following the release of Taming The Tiger, she had given an interview to The Observer in which she'd likened her work to Mozart, Blake and Picasso, opined that her lyrics "have a lot of symbolic depth, like the Bible" and declared that her music was so original that it "needs its own genre name".

It would have come as little surprise in this vaunting self-assessment if she had also announced herself to be a singer who should be listed with Callas, Holiday and Piaf among the great female voices of the century.

She didn't; but Both Sides Now was certainly in part conceived as an opportunity to force the world to consider her artistry as a vocalist, the one aspect of her genius that she felt had received insufficient recognition over her recording career. The first hint of the project came in the summer of , before Taming The Tiger had reached the stores. By the time she joined Bob Dylan on a joint tour that autumn, she was confidently closing her set with "Comes Love".

It was a bold statement of her desire to be taken seriously as a singer, for the song was famous for the versions recorded by Billie Holiday and Ella Fitzgerald in the '50s, yet she pulled it off with an undeniable panache.

When Dylan followed her on stage, he reportedly told her, "I'm going to sound like a hillbilly now. Only Dylan knows, but the favourable reception encouraged Mitchell in her ambition to make an entire album that showcased her talents as a singer rather than a songwriter. As she selected the songs with Klein and began to arrange them into a narrative sequence, she realised that she could not have sung such songs with any degree of authentic sophistication in the "pure" voice of her younger, ingenue self, but that the vocal deterioration caused by age, experience and years of smoking had also brought with it a greater emotional depth and realism.

In turn, this realisation led to the idea of incorporating some of her own songs into the narrative, on the basis that she could now bring an expression and nuance to them which she had only been able to hint at in the original versions. It was a move fraught with danger, for artists re-recording their old hits is usually a fruitless exercise in disappointment.

Yet there was one successful example that gave Mitchell encouragement. Mitchell endorsed the sentiment and decided to include "A Case Of You" to mark the halfway point in her song cycle, as love is beginning to turn bittersweet, and "Both Sides Now" with the comma dropped from its original title as its almost Zen-like philosophical conclusion.